{"id":9933,"date":"2023-11-14T15:06:47","date_gmt":"2023-11-14T14:06:47","guid":{"rendered":"https:\/\/litteraturbanken.se\/ljudochbild\/?p=9933"},"modified":"2023-12-06T11:42:24","modified_gmt":"2023-12-06T10:42:24","slug":"fotografen-jonason","status":"publish","type":"post","link":"https:\/\/litteraturbanken.se\/ljudochbild\/2023\/11\/14\/fotografen-jonason\/","title":{"rendered":"Fotografen Jonason"},"content":{"rendered":"\n
\"Aron
Aron Jonason.<\/em><\/center><\/figcaption><\/figure><\/div>\n\n\n\n

Man h\u00e4nvisar ofta till Aron Jonason<\/a> (1838\u20131914) som G\u00f6teborgsvitsens fr\u00e4mste f\u00f6retr\u00e4dare. Det har sina randiga sk\u00e4l. Som vitsare, k\u00e5s\u00f6r och kuplettf\u00f6rfattare s\u00e5g han till att ingen g\u00f6teborgare undslapp hans underfundiga humor i G\u00f6teborgs-Posten, Tomtebissen<\/a><\/em> (1859), Tjufpojken<\/em><\/a> (1850\u20131858) och otaliga publikationer och revyer. <\/p>\n\n\n\n

F\u00f6rfattaren Carl Rudolf A:son Fredberg l\u00e4gger ut texten i biografin Aron Jonason och G\u00f6teborgsvitsen<\/a><\/em> (1915): <\/em>\u201dF\u00f6r denna Aron Jonasons f\u00f6rn\u00e4msta egenskap undanskymdes ofta hans andra mera reella livsuppgifter. Men det var or\u00e4tt. Jonason var icke bara sk\u00e4mtare och ordlekare, han var \u00e4ven en samvetsgrann och plikttrogen journalist, skriftst\u00e4llare p\u00e5 skilda omr\u00e5den och, i senare skedet av sitt liv, en framst\u00e5ende ut\u00f6vare av fotografiyrket, vilket genom hans atelier ofta fick f\u00f6r G\u00f6teborgs vidkommande nya v\u00e4ckelser.\u201d<\/p>\n\n\n\n

Just det. Jonason gjorde i synnerhet viktiga framsteg p\u00e5 fotografikonstens omr\u00e5den. Efter m\u00e5ng\u00e5riga studieresor utomlands, bland annat hos den tyske kemisten Paul Eduard Liesegang, kom han \u00e4ven att r\u00e4knas som en av landets fr\u00e4msta fotografer. Och n\u00e4r Jonason 1887 erh\u00f6ll titeln hovfotograf efter ett lyckat gruppfoto med Oskar II<\/a> p\u00e5 Marstrand duggade bes\u00f6ken i fotoatelj\u00e9n t\u00e4tare. <\/p>\n\n\n\n

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\"Oscar<\/figure>\n
Gruppfotot ombord p\u00e5 kungafartyget Drott som f\u00f6rl\u00e4nade Aron Jonason titeln hovfotograf. Jonason beskriver sj\u00e4lv h\u00e4ndelsef\u00f6rloppet i boken Drottminnen fr\u00e5n Marstrand<\/a> (1908).<\/em><\/figcaption><\/figure>\n\n\n\n
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F\u00f6rutom konung och sj\u00f6officer var Oskar II \u00e4ven en flitig diktare (du hittar hans verk i Litteraturbankens samlingar<\/a>). Som diktare var han dock inte ensam om att l\u00e5ta fotografera sig hos Jonason. Under \u00e5ren hade otaliga litter\u00e4ra storheter v\u00e4garna f\u00f6rbi G\u00f6teborgsvitsarens atelj\u00e9.<\/p>\n\n\n\n

H\u00e4r i blogginl\u00e4gget dammar vi av n\u00e5gra av alla Jonasons fotografier som bevarats f\u00f6r efterv\u00e4rlden.<\/p>\n\n\n\n

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\"Selma<\/a><\/figure>\n\n\n\n
\"Selma<\/a><\/figure>\n\n\n\n
\"Selma<\/a><\/figure>\n
Selma Lagerl\u00f6f<\/a> var ofta p\u00e5 bes\u00f6k i G\u00f6teborg, inte minst f\u00f6r att tr\u00e4ffa f\u00f6rfattarkollegan Sophie Elkan<\/a>, samt sin bror Daniel Lagerl\u00f6f vars hem l\u00e5g i intilliggande Kung\u00e4lv. Den v\u00e4nstra bilden \u00e4r tagen 1900 \u2013 Lagerl\u00f6f p\u00e5 karmstolen fotograferades 1907.<\/em><\/figcaption><\/figure>\n\n\n\n
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\"\"<\/a><\/figure>\n\n\n\n
\"August<\/a><\/figure>\n\n\n\n
\"August<\/a><\/figure>\n
August Strindberg<\/a> l\u00e4t sig fotograferas av Aron Jonason under en vistelse i G\u00f6teborg h\u00f6sten 1890. Efter sex \u00e5r i exil reste nu Strindberg land och rike f\u00f6r att slutf\u00f6ra en skildring av Sveriges natur. Utg\u00e5van av Sveriges natur<\/a> publicerades dock inte f\u00f6rr\u00e4n 1901. <\/em><\/figcaption><\/figure>\n\n\n\n
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\"Viktor<\/a><\/figure>\n\n\n\n
\"Viktor<\/a><\/figure>\n
Viktor Rydberg<\/a> var under st\u00f6rre delen av sitt liv hemmah\u00f6rande i G\u00f6teborg. Tidigt i livet korsades Jonasons och Rydbergs v\u00e4gar. I slutet av 1850-talet redigerade n\u00e4mligen Rydberg och Jonasons kusin, Jonas Philipsson<\/a>, den satiriska tidningen Tomtebissen. Aron Jonason fick d\u00e5, 18 \u00e5r gammal, uppdraget att rita vinjetten till tidningen.<\/em> \u2013 De tv\u00e5 fotografierna ovanf\u00f6r kn\u00e4pptes troligen under 1880-talet.<\/em><\/figcaption><\/figure>\n\n\n\n
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\"Viktor<\/figure>\n\n\n\n
\"Viktor<\/figure>\n\n\n\n
\"Viktor<\/figure>\n
Viktor Rydberg hade \u00e4nnu inte bytt C:et i sitt namn mot ett K n\u00e4r han fotograferades f\u00f6rsta g\u00e5ngen hos Jonason 1865. P\u00e5 bilderna ser vi en yngre f\u00f6rfattare, redan h\u00e4r beprydd med karakt\u00e4ristisk mustasch. Fotografierna \u00e4r tagna i Jonasons f\u00f6rsta fotoatelj\u00e9 som han drev tillsammans med sin syster Pauline Jonason under 1860-talet.<\/em><\/figcaption><\/figure>\n\n\n\n
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Kan vi d\u00e5 vara s\u00e4kra p\u00e5 att det verkligen var hovfotografen i egen h\u00f6g person som stod bakom kameran under alla dessa fotosessioner? \u00c4n en g\u00e5ng l\u00e5ter vi Carl Rudolf A:son Fredberg ta ordet: <\/p>\n\n\n\n

\u201dDet finns en del m\u00e4nniskor som p\u00e5st\u00e5<\/a>, att Aron Jonason inte var verklig fackman p\u00e5 fotografiens omr\u00e5de. Att det var andra som utf\u00f6rde arbetena, vilka utgingo fr\u00e5n hans atelier, samt att han i den branschen i f\u00f6rsta rummet var aff\u00e4rsman, i andra fotograf. Hur sant detta sista \u00e4n m\u00e5 vara har man dock ingen r\u00e4tt fr\u00e5nk\u00e4nna honom betydande tekniska insikter i facket. Och man m\u00e5 ih\u00e5gkomma att han verkligen l\u00e4rt yrket i sin ungdom.\u201d<\/p>\n\n\n\n

\u201dSj\u00e4lv var han ju, n\u00e4r han tr\u00e4dde atelierns bes\u00f6kare n\u00e4ra, den mest habile fotograf man kunde t\u00e4nka sig. Hans personliga \u00e4lskv\u00e4rdhet var ju k\u00e4nd, likas\u00e5 hans blixtrande kvickhet och evigt goda lynne. Och dessa egenskaper st\u00e4rkte naturligtvis populariteten.\u201d<\/p>\n\n\n\n

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\"Gustaf<\/a><\/figure>\n\n\n\n
\"Gustaf<\/a><\/figure>\n\n\n\n
\"Gustaf<\/a><\/figure>\n
Fotografierna av Gustaf af Geijerstam<\/a> \u00e4r odaterade och tycks vara tagna vid tv\u00e5 olika tillf\u00e4llen. Under en period p\u00e5 1890-talet bodde af Geijerstam i G\u00f6teborg \u2013 m\u00f6jligen fotograferades f\u00f6rfattaren under denna tid.<\/em><\/figcaption><\/figure>\n\n\n\n
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\"Herman<\/a><\/figure>\n\n\n\n
\"Wilma<\/a><\/figure>\n\n\n\n
\"Vitalis<\/a><\/figure>\n\n\n\n
\"Gustaf<\/a><\/figure>\n\n\n\n
\"Sigfrid<\/a><\/figure>\n
Fr\u00e5n v\u00e4nster: den danske f\u00f6rfattaren Herman Bang; f\u00f6rfattaren Wilma Lindh\u00e9<\/a>; filosofen Vitalis Norstr\u00f6m<\/a>; f\u00f6rfattaren Gustaf Ullman<\/a>; sist politikern och f\u00f6rfattaren Sigfrid Wieselgren<\/a>. Med undantag f\u00f6r Bang hittar du samtliga f\u00f6rfattares verk hos Litteraturbanken \u2013 klicka p\u00e5 deras namn f\u00f6r att ta dig vidare till respektives avdelning i Litteraturbankens bibliotek.<\/em><\/figcaption><\/figure>\n\n\n\n
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\"\"<\/a><\/figure>\n\n\n\n
\"Sophie<\/a><\/figure>\n\n\n\n
\"Sophie<\/a><\/figure>\n
Sophie Elkan<\/a> och Selma Lagerl\u00f6f<\/a> tillsammans i den f\u00f6rstn\u00e4mndas hem 1907. <\/em><\/figcaption><\/figure>\n\n\n\n
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\"\"<\/a><\/figure>\n
S\u00e4llskapet Gnistan<\/a> grundades 1878 i G\u00f6teborg. S\u00e4llskapet blev snart en naturligt samlingspunkt f\u00f6r f\u00f6rfattare, konstn\u00e4rer och vetenskapsm\u00e4n i G\u00f6teborg. P\u00e5 fotografiet ovanf\u00f6r ser vi fyra av s\u00e4llskapets medlemmar, tillika fotografens v\u00e4nner, under 1880-talet. St\u00e5ende i bakgrunden ser vi Wilhelm Berg<\/a>, s\u00e4llskapets grundare och l\u00e4nge dess st\u00e4ndige sekreterare. Sittande fr\u00e5n v\u00e4nster har vi litteraturhistorikern Karl Warburg<\/a>, f\u00f6rfattaren Albert Ulrik B\u00e5\u00e5th<\/a>, samt Viktor Rydberg<\/a>.<\/em><\/figcaption><\/figure>\n\n\n\n
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Blogginl\u00e4ggets bild \u00e4r ett fotografi av Aron Jonason. \u2013 Fotografierna har vi l\u00e5nat fr\u00e5n Kungliga biblioteket<\/a>, G\u00f6teborgs universitetsbibliotek<\/a> samt Uppsala universitetsbibliotek<\/a>.<\/em><\/p>\n\n\n\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Man h\u00e4nvisar ofta till Aron Jonason (1838\u20131914) som G\u00f6teborgsvitsens fr\u00e4mste f\u00f6retr\u00e4dare. Det har sina randiga sk\u00e4l. Som vitsare, k\u00e5s\u00f6r och kuplettf\u00f6rfattare s\u00e5g han till att ingen g\u00f6teborgare undslapp hans underfundiga humor i G\u00f6teborgs-Posten, Tomtebissen (1859), Tjufpojken (1850\u20131858) och […]<\/p>\n","protected":false},"author":5,"featured_media":9994,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[95,62],"tags":[1270,1261,227,1274,1275,284,1268,1266,1271,1264,1265,1273,50,1269,285,287,1267,1272,787],"class_list":["post-9933","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bild","category-historiska-bilder","tag-albert-ulrik-baath","tag-aron-jonason","tag-august-strindberg","tag-drott","tag-drottminnen-fran-marstrand","tag-gustaf-af-geijerstam","tag-gustaf-ullman","tag-herman-bang","tag-karl-warburg","tag-oscar-ii","tag-oskar-ii","tag-sallskapet-gnistan","tag-selma-lagerlof","tag-sigfrid-wieselgren","tag-sophie-elkan","tag-viktor-rydberg","tag-vitalis-norstrom","tag-wilhelm-berg","tag-wilma-lindhe"],"yoast_head":"\nFotografen Aron Jonason - Ljud & Bild<\/title>\n<meta name=\"description\" content=\"Man h\u00e4nvisar ofta till Aron Jonason (1838\u20131914) som G\u00f6teborgsvitens fr\u00e4mste f\u00f6retr\u00e4dare. 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